Music & Related Reviews. Other writing from the obscure realms of Mr Stu's Mind.
Monday, 9 March 2020
Tenebrosian Tales! Forthcoming book first flyer
First promotional flyer released today from publishers TENEBROUS TEXTS.
The book will feature a selection of short stories, music reviews and the "Directots Cut" version of the dark and twisted surreal novella 'Blood Stained Mask', I doubt you would have read anything quite so depressing and confusing before!
For the latest information:
https://www.facebook.com/TenebrousTexts
https://www.facebook.com/mrstuauthor
Sunday, 9 June 2019
Various Artists - Steampunk Records Sampler 1 (CD Review)
Steampunk Records Sampler
1
01. Victor and the Bully – Butterfly Effect
02. Professor Elemental & Tom Caruana – Mectoria
03. The Wattingers – Dead Man’s Hat
04. The Heaven and Hell Orchestra – The Bad Vision
05. BB Blackdog – Thousand Years
06. Off Limits – Calling Witchcraft
07. Aeronautica – Pech and Schwefel
08. Feline & Strange with Mishkin Fitzgerald –
Cassandras Twin
09. Darwin Project – Run Red Run
10. Gurdybird – Papa Zulu
11. Capt Roswell & The Lost Alien Tribe – Alien Eye
12. LM Cooke Music – Moon Song
13. Miss Von Trapp - Do Your Gears Hang Low
14. Cabaret Berlin – Beautiful Berlin
15. The Big Fibbers – Steam Tramp Blues
16. Victor Sierra – El Mundo Superior
17. The Dark Design – Haggard Rider
18. Kiss Like Ether – Heaven Can Wait
19. Montague Jacques Fromage with Victor & The Bully –
Walk A Little Lopside
20. My Wooden Leg – Cop City
21. Lies Of The Machine – Psychocircus
22. New Jacobin Club – Angel MMXIV
Trying
to review a 22 track sampler cd that you cannot buy is a bit of a bugger,
however it does act as a good guide to what the record label is offering on a
selection of Various Artists compilations you can buy as well as releases from
many of the individual acts.
I
have said this before and I will say it again, the notion of Steampunk as a
music genre is a nonstarter, there is music performed in numerous styles by
people who identify with the Steampunk culture, this can influence their
writing style and their appearance and the way they market their image.
Some
music here is clearly influenced from a different age and for any pedants
amongst you would no doubt identify some chosen genres as ‘Dieselpunk’ or even
‘Cyberpunk’, personally I prefer to take the music as I hear it regardless of
what it is or isn’t supposed to be.
That
said I will now attempt to put some of these acts into an identifiable music
genre which I hope will make the review easier to digest.
Well
just spent the best part of an hour hunting down these bands on good old Facebook,
so I think I have a bit of an idea what to expect from some of the acts, some
seem quite interesting others slightly disturbing.
Kicking off with ‘Victor
and the Bully’ a great upbeat neo rock n roll sounding song, a bit like Rocket
From The Crypt. The band also return in collaboration with American Steampunk
legend Montague Jacques Fromage, this time a completely different sound, more
poppy, upbeat and happy with Mr Fromage delivering, as ever, a superb tongue in
cheek funky rap.
The ‘Wattingers’, have a
super sleazy swamp blues vibe, defiantly one for Nick Cave fans, need to hear
some more to get an overall idea of what they about.
Not too sure what to make
of ‘The Heaven and Hell Orchestra’, I suppose if Therion had been around in the
1930’s they may have sounded a bit like this.
As ever ‘BB Blackdog’ blow
the hell out of the speakers with their strange eclectic mix of Psychedelic
rock and the bass crazed antics of Primus!
Totally stunning mix of
neo folk and hard rock comes ‘Off Limits’, great vocal style and loving the use
of violin, one for Skyclad fans.
Accordion into Celtic rock
and sung in German, I feel that we have in ‘Aeronautica’ a band who like
Turisas, Alestorm and Rammstein.
Want a totally
breath-taking four minutes? Then ’Feline & Strange with Mishkin Fitzgerald’
song “Cassandras Twin” will do just that. Amazing operatic performance with
simple piano and electronic backing, could be from the soundtrack to “Repo! The
Genetic Opera”.
Taking a complex
instrument the Hurdy Gurdy and bringing it into the 21st century
with a slight techno backing, may seem a hard thing to pull off with class, but
‘Gurdybird’ seem to do this with ease.
If you like post 1980’s
Hawkwind then ‘Capt Roswell & The Lost Alien Tribe’ with its drums n synths
backing to some Hillage inspired riffery then this is the band for you.
Dark and atmospheric Acid
Folk is on offer from ‘LM Cooke Music’ I highly recommend her album ‘Nursery
Rhymes for the Apocalypse’.
Time for some modern
interpretation of classic British music hall from ‘Miss Von Trapp’ in the style
of legends such as Lily Morris and Marie Lloyd.
From the music halls of
Britain to the clubs of Weimar era of the early 1930’s and ‘Cabaret Berlin’
bring us a perfect recreation of singer and pianist as if they had somehow time
travelled to the here and now.
‘The Big Fibbers’ with
their “Steam Tramp Blues” is an oddity almost as if John Otway & Wild Willy
Barrett were doing a version of the Stray Cats!
I have no idea what ‘Victor
Sierra’ are on, but if Rob Zombie did a slow and weird cover of a Brujeria song
it might sound like this?
‘The Dark Design’ have a
cowpunk vibe, if that’s not a term you have heard before, well back in the
early 1980’s there was a brief and strange mix of post punk and country &
western music.
Some industrial tinged
proto cyberpunk from ‘Kiss Like Ether’, very 80’s but the mix is quite thin.
‘My Wooden Leg’ great name
for a band, this is a bit quirky, touch of Primus in there and some Zappa like
guitar work.
With a song called “Psychocircus” I was expecting perhaps a cover of the Kiss song, but strangely ‘Lies Of The Machine’ have some interesting elements of Death and Black Metal, nice clean vocals and then deth growls, then throw in some symphonic vocals, needs more investigating but if you like Dimmu Borgir or Cradle Of Filth then check this band out.
Finally ‘New Jacobin Club’
with a sound that seems to blend 70’s Blondie with 90’s metalcore, again
another band I feel the need to check out.
So as you can see plenty
of different music styles to get your interest going and next time you see the
word ‘Steampunk’, well don’t be put off, there really is some stunning music
out there!
Steampunk Records Facebook Page
Giant Dwarf - Giant Dwarf (CD Review)
Giant Dwarf – Giant Dwarf
01.Golden Walrus
02.Black Thumb
03.Disco Void
04.Kepler
05.Repeat After Defeat
06.Strange Wool
07.High Tide Blues
08.The Deluge
Aaron Soppo (Vocals)
Luke Drag (Drums /
Percussion)
S John Paterson (Bass)
Rick (Guitar / Sitar)
Russ Tee (Guitar /
Didgeridoo)
From the capital of
Western Australia, Perth, Giant Dwarf were founded sometime in 2015 by
musicians obsessed with all things fuzzy, heavy, psychedelic, drone,
progressive and weird (you know, the good stuff!).
‘Golden Walrus’ is nice
and fuzzy, full of punchy riffs and melodic vocals and plods along at a nice
pace, nothing outstanding as such, but then half way through it starts getting
weird adding a nice new dimension then ends.
As for the second track
‘Black Thumb’ it has the feel of Deep Purples ‘Black Night’ being covered by
Queens of the Stone Age.
Get that QOTSA feel from
the next one as well, that said ‘Disco Void’ gets a real psychedelic hit and
requires the volume level at max!
‘Kepler’ is a sonic blasting
masterpiece of fuzz, stoner rock melting into space rock, the general vibe of
which continues to the next track as well.
Loving the instrumental
‘Strange Wool’ a real heavy, fuzzy blues piece, unlike the next track ‘High
Tide Blues’ which is neither blues or a tribute to the band High Tide, but
another straight forward rocker.
Ending with another full
on sonic blast is ‘The Deluge’ a space rocker, searing guitar work, great
vocals, rhythmic drum patterns and clever use of sitar.
Rating 9/10
For Fans Of: Monster
Magnet, Queens of the Stone Age, Uncle Acid & Deadbeats, Electric Wizard,
Mudhoney.
Monday, 3 June 2019
Feline & Strange - Science Fiction (CD Review)
Feline &
Strange – Science Fiction
01.Science Fiction (A Space
Opera)
02.Hello World
03.Because (A Wedding
Waltz)
04.Why Me
05.I See You
06.Leaving For The Seaside
07.Love Is (Utterly
Overrated)
08.I Should Have Told You
Before
09.Anybody
10.You Said
11.Going Away (Farewell
Letter)
12.End Of The World
13.Lost In The Moon
14.Epilogue
Feline Lang
(Vocals/Programming/Accordion/Castanets)
Christoph Klemke
(Drums/Percussion/Violincello)
Matthias Haecker
(Keyboards)
Ulrich Christenn
(Trombone/Trumpet/Alto Saxophone/Tuba/Flute)
Marc Andre Haller
(Bass/Double Bass/Chapman Stick)
Guest Musicians
Timothy Beuther (Drums)
Stefan Kelber (Violin)
Brigitte Langnickel-Kohler
(Concert Harp)
Feline is the daughter of
harpist Brigitte Langnickel-Köhler and pianist Reinhard Langnickel, Brigitte
first appeared on record in 1975 backing the Hannover Boys Choir on the LP ‘Ein
Kind Ist Uns Geboren’.
Growing up with a musical
family Feline went on to study acting and singing in Berlin.
By 2003 she released her
debut album ‘Tango L’Che!, performed in theatre productions including ‘Kabale
and Liebe’ and appeared in the 2004 movie by Marcus Mittermeier called ‘Muxmäuschenstill’.
There have also been television appearances and operatic performances in ‘Carmen’
and ‘Dulcinea’.
In 2009 whilst working
with an operatic ensemble she decided to go in a new direction and formed a duo
named " Feline and Strange ", the idea was to mix Jazz with
electropop influences and at various times the duo were joined by numerous
different musicians for live performances, eventually releasing an album in
2011 called ‘Behavior!
Moving forward and aided
by new musicians including Marc Andre Haller former bassist with folk/psych
band Habakuk, the band take a slight change in musical direction and start to
pick up a cult following with the steampunk community based in Berlin.
From that point on their
reputation grew and the word spread, it was in fact Radio presenter and
Steampunk author Steven C. Davis who at a recent meeting handed me this CD to
review.
Though I am not quite sure
that this style of Cabaret Noir could be classed as Steampunk, surely due to
its historical time frame it would be Dieselpunk, I won’t let such things cloud
my review and pour myself a nice glass of absinthe and then press play.
The album begins with ‘Science
Fiction (A Space Opera)’ and we begin the journey through this concept album
with the lyrics taking the form of a novelette written by Feline and included
in very small writing in the booklet.
With a subtle electronic backing
and laid back brass arrangements Feline delivers a semi operatic and tone
perfect vocal.
‘Hello World’ is slightly
more upbeat, again it is the brass arrangements that come through the mix,
reminiscent at times of the less Avant-Garde moments of legendary German band
Vampires Sound Incorporation.
After a nice waltz we get
something slightly more dadaesque with ‘Why Me’ mixing as it does quirky little
keyboard sounds with changing rhythms, the vocal is a little more playful and
some really nice synth work towards the end.
‘Leaving For The Seaside’
has the opening lyric of: “I woke up in a dusty town (Somebody should have come
with a vacuum cleaner)” what a line!
Something darker with
strange flute and some other slightly disturbing instruments with ‘I Should
Have Told You Before’, a nice mixture of vocal styles and wolf howls all help
create an atmospheric piece of outstanding music.
Back to some nice
electronics with a jazz influence, ‘Anybody’ begins with a quiet vocal and just
builds as it goes along, a gentle song that gets the toes tapping and when that
drum and keyboard gets going towards the middle I can seriously get a vision of
Densmore and Manzarek of the Doors then joined by Lol Coxhill, by far my
favourite track so far, could do with another ten minutes or so to really let
the musicians go wild.
‘You Said’ is given the
old fashioned treatment of sounding like a 78RPM polka recording.
This is followed by a melancholic
performance, perhaps to be expected with a piece titled ‘Going Away (Farewell
Letter).
‘Lost In The Moon’ throws
into the mix little moments of inspired Avant Garde madness in an otherwise
mature sounding smooth jazz piece, we then end with the unlisted track ‘Epilogue’
which is an upbeat danceable song resplendent with whistles!
This is an album that far
exceeds its given genre limitations, it is vibrant full of interesting styles
and has a wide appeal, whatever music you like this deserves your attention.
Rating 10/10
For Fans Of: Nico &
John Cale, Marianne Faithfull, Siegfried Schwab, Dagmar Krause, Ute Lemper,
Annexus Quam, Tomorrow’s Gift, The Dresden Dolls.
Monday, 27 May 2019
Various Artists - Raising Steam Volume I - 3 (Cd Review)
Various Artists – Raising Steam
Volume I
01. Miss
Von Trapp - Have A Pie: Modern Mrs Lovett
02. Helicopter
Quartet - Where Have All The Aliens Gone?
03. Thy
Last Drop – Gravedigger
04. Birthrite
- Loving You (Ain't So Easy)
05. The
Mysterious Freakshow - Hedge Witch
06. Crimson
Clocks – Red Violin
07. Montague
Jacques Fromage - Merde! Mon Dieu! (Absinthe! Sacre Bleu!)
08. Gladstone
– Night Creatures
09. Tom
Slatter - Mother's Been Talking To Ghosts Again
10. Metropolis
– Sirens
11. The
Mechanisms - Riddle of the Sphinx
Volume
II
01. The
Dark Design - Haggard Rider
02. Gurdybird
- Raggle Taggle Gypsy (video edit)
03. Venus
de Vilo - It's My Party - I'll Die If I Want To!
04. Ague -
Fifteen Leagues to Providence
05. Violent
Sky - Frances (In the Gallery of Stars)
06. The
Wattingers - Evil Driving Rain
07. Under
A Banner – Steam
08. Ghostfire
- Griminsky's Soul
09. BB
BlackDog - Steam Punk Junkie
10. New
Jacobin Club - Angel MMXVI
Volume
III
01. Kiss Like
Ether – End Game
02. Gordon
Midgley - The Tell Tale Heart
03. Victor
& the Bully - Every Fight Is A Food Fight For A Cannibal
04. Nathan
Jon Tillett – Eternaeon
05. Heathen
StrangeFellow & the VaudeVille Vagabonds – Masquerade
06. LM
Cooke – Poor Jenny
07. The
Filthy Spectacula - Flying Dutchman
08. Dark
Sinfonia - A Murderous Breath
09. Jessica
Law - The Mermaid's Revenge
10. The
Hare And The Moon - Come Unto The Corn
11. Napier's
Bones - Hand of Glory
12. Feline
& Strange - The City
13. Valentine
Wolfe – Corvidae
14. Krankschaft
- Come Fly With Us
15. Nathaniel
Johnstone - Seven Veils
What
we have here are three limited edition CD-R samplers of the Raising Steam
download albums.
Each
of these comes in a DVD box with a limited edition pin badge, only available
through one of these purchases.
For
your money you also get the code to get the entire downloadable versions
through Bandcamp, giving you access to another ten or so songs per volume.
ALL
monies raised go to the New Futures Nepal charity.
Now
you may of course be wondering what the hell is Steampunk music?
The
short answer is there is no such thing as steampunk music, not as a specific
genre anyway.
What
these samplers show is that anything is possible from classic rock to pop, dark
and twisted gothic horror, folk music and even traditional British music hall.
So why
is it called Steampunk? I hear you shout; my own opinion is that the “Alternative”
approach allows for such freedom that many talented artists are simply drawn to
something which is not locked down in a specific genre.
I
would urge you to investigate if like me you have a wide variety of interests when
it comes to music, perhaps the very name of Steampunk has made you avoid the
music, something which to its shame the wider music press has been guilty of,
thus failing to introduce their readers to some amazing classic rock music!
A few
examples:
From
Volume I, we have some horror tinged music hall comedy from Miss Von
Trapp. The Helicopter Quartet are
clearly emulating one of Karlheinz Stockhausen many experimental compositions.
The
track by Tom Slatter is quite stunning, a mix of light modern progressive rock
with a vocal delivery that seems to mix David Byrne and Syd Barrett.
Finally
Metropolis have a modern Hawkwind vibe with some Tubeway Army thrown in for
good measure.
Up
next a few from Volume II, how about Gurdybird who has mixed tribal drum
rhythms with playing an actual hurdy gurdy!
Venus
de Vilo brings a smile with her incredible dark and twisted mix of Nina Hagan
and Alannis Morrisette.
A
superb mix of seventies hard rock and proto doom Violent Sky are one of the
stand outs here.
Ghostfire
perform some fantastic female fronted acid folk, followed by some bass driven
stoner rock from BB Blackdog.
Last
one is New Jacobin Club, providing some folk tinged acoustic music with a very
powerful vocal.
What
does Volume III kick off with? Kiss Like Ether with some darkwave meets early
industrial and perfectly mixed and delivered.
Up
next is some weird space synth and then Gordon Midgley treats us to seven minutes
of mesmerizing narration of Poe’s classic tale.
Dishing
up some folk horror in the style of Marc Wilkinson (Blood On Satan’s Claw) and
Magnet (The Wicker Man) comes The Hare & The Moon.
Valentine
Wolfe are pure Symphonic Metal and keeping it heavy are Krankschaft (Hawkwind’s
Robert Calvert former backing band) blending Amon Duul II with Hawklords.
Last
up is Nathaniel Johnson whose take on folk rock is reminiscent of The Trees
meeting All About Eve.
Well I
have picked out a few, there really is much more on offer, almost every genre
is represented here.
For
more information, order details and a chance to preview the music go to the
Raising Steam Bandcamp page.
Sunday, 26 May 2019
Symphony Of Pain - Virology (CD Review)
Symphony Of
Pain – Virology
01. My Laboratory
02. Darkling
03. Virus
04. Down
05. Green Eyes
06. Suspicion
07. Ghost Moon
08. I Can’t Believe
09. Futile
10. War Machine
Tracie Law (Vocals)
Pam Chowhan
(Violin/Keyboards/Piano)
Mark Bloxsidge (Bass)
Jonas Costa (Guitar)
Johanne James (Drums)
Guest Musicians:
Jiaxin Lloyd Webber
(Cello)
Latana Phoung (Mezzo
Soprano Vocal)
It was way back in
September 2013 when I reviewed Symphony OF Pain’s debut album ‘Hydeology’, it
was a quirky mix of Pop/Goth & Rock.
Much has changed in the
passing of time, Tracie and Pam are still the main duo and are now joined by a
new set of musicians, of note is another ex-member of Krybgrinder (Dave Dart
was on the first release) this time it is drummer Johanne, and for those of us
who can go back to that early post NWOBHM era, former bassist with Trilogy Mark
Bloxsidge.
The album starts with ‘My
Laboratory’ a nod to Mary Shelly’s creation, the vocal is delivered with that
same quirky tone that made the debut so appealing, the music however is a lot
heavier than I would have expected.
Taking on a more
epic/symphonic sound for ‘Darkling’ complete with stunning violin playing, it
would seem that the band have really started to adapt their craft to a more
mature sound.
Whilst the production and
choral backing make the song ‘Virus’ very enjoyable to hear, I am somewhat
confused by the lyric which has no connection with a virus whatsoever, if they
are trying to convey some form of message about destruction and/or unemployment
then it fails on every level, if on the other hand it is implying that humans
are the virus, then that doesn’t come across either.
Fortunately ‘Down’ layered
with epic violin once again, returns to a more understandable lyric and in fact
the whole song mixes Folk and Progressive rock with true class.
This continues with ‘Green
Eyes’ which also manages to throw in a tech/industrial keyboard and sampling.
Now having just glanced at
the lyrics for the next song I am wondering if this could be a nod to the
Prince of Rock N Roll Elvis, because the song is called ‘Suspicion’ and the
first line of the song is “you are always on my mind”.
In fact this a melancholy ballad
that is more Nick Cave, simple, atmospheric, beautiful melodies, cello, violin
and drums in perfect harmony, and by far Tracie’s best and most heartfelt vocal
thus far.
An instrumental follows
called ‘Ghost Moon’ again very big on the atmospherics and some synthesized
sitar in the mix, flowing out of this is ‘I Can’t Believe’ and fairly straight
forward hard rocker.
‘Futile’ and another
attempt at a “message” lyric, this one I think fairs better than ‘Virus’ but
still feels a little confused, I guess its not so much anti-charity but making
a comment that due to corruption we shouldn’t need it in the first place.
But then if that’s the
case why, despite the commercial rock sound with its infectious and catchy
chorus, would you then add to the mix samples of Oppenheimer, JFK and Martin Luther King?
We end with ‘War Machine’,
beginning with its rhythmic drum pattern and synth pulse it explodes into a
full on assault of screaming guitar work and an evil sounding vocal and then
ends all too soon with a melodic keyboard outro.
This album is a huge leap
forward from their debut, it is heavier and demonstrates a much more mature
sound, in many ways a different band altogether. I confess that I am not
convinced that “message” lyrics work within the context of what the band were
known for, perhaps this is a transition album, yes there is the goth influence at
the start of the album, but by the end we see a band wanting to address certain
issues, I guess we shall find out when album number three eventually appears.
Rating 9/10
For Fans Of: Therion,
Current 93, Alice Cooper, Skyclad
Friday, 25 January 2019
Imperial Age - Promo Sampler (MP3 Download Review)
Alexander Osipov (Vocals)
Jane Odintsova (Vocals)
Anna Moiiseeva (Vocals)
Pavel Maryashin (Guitar)
Max Talion (Drums)
Dmitry Safronov (Bass/Vocals)
Guest Musicians on Legacy of Atlantis tracks:
Thomas Vikström From Therion (Tenor Vocal)
Nalle PÃ¥hlsson From Therion (Bass/Guitar/Acoustic Guitar)
Andrey Ishenko From Arkona (Drums)
Christian Vidal From Therion (Solo Guitar)
Sergey Lazar From Arkona (Rhythm Guitar on 'And I Shall Find My Home')
Chamber Choir of the P.I. Tchaikovsky Moscow State Conservatory
01. The Legacy of Atlantis (from the album The Legacy of Atlantis, 2018)
02. And I Shall Find My Home (from the album The Legacy of Atlantis, 2018)
03. Anthem of Valour (from the album Turn the Sun Off!, 2012)
04. Aryavarta (from the EP Warrior Race, 2016)
05. The Monastery (from the album The Legacy of Atlantis, 2018)
06. Death Guard (from the album Turn the Sun Off!, 2012)
07. To Mega Therion (from the EP Warrior Race, 2016)
Russian symphonic rock group founded in 2012 by Jane Odintsova and Alexander Osipov. They recorded Turn The Sun Off!, filmed 2 video clips and released the record with their own money in November of the same year.
In 2013-2014 they played as support acts for international bands visiting Russia: Epica, Paradise Lost, Finntroll, OOMH!, The 69 Eyes, Tarja and Therion. They also played a few headliner shows in Moscow, St. Petersburg and Kazan. Two of them with an 8-person choir and an 8-person orchestra.
In 2014 the breaking moment came. In September, they went on a month-long expedition to Tibet. Having visited many magical places, to some of which westerners have never been admitted before. And in the end they did a Cora around Mt. Kailash. It is said that it helps to realise one’s inner dreams and most sacred goals… A month after that they were opening for Therion in St. Petersburg.
In 2016 they released the EP Warrior Race via Adulruna. It had only 3 new songs, the rest were from Turn the Sun Off!, recorded with Alexandra Sidorova, and To Mega Therion, a Therion cover which was as a tribute to the legendary Celtic Frost.
They went in search to find a new soprano, held auditions and found Anna KiaRa.
Then came another tour with Orphaned Land! After that tour they lost almost all of the band members due to inner disputes within the band.
In 2017 they were offered a huge tour, 57 shows in 25 countries. This brought its fair share of problems, needing to finish composing and recording the new album and find new musicians capable of sustaining such a huge tour.
They asked Nalle PÃ¥hlsson to record bass and rhythm guitars, Christian Vidal to record the solos, Ischenko Andrey to record the drums and completed the recording.
2019 sees the band pushing forward including some live shows here in the UK, to help promote their latest album and shows they have been offering a sampler of their music for free download. I found this by chance as a friend (GASP Radio presenter Steven C Davis) had been tagged in a post linking to the download via Facebook.
I will start with the two songs from 2012's 'Turn the Sun Off!'..
Anthem of Valour
Death Guard
It would seem that from the moody intro right on into the complex symphonic majesty that this band from the very start had the ability to create atmospheric and anthemic songs. Well crafted pieces that pay equal attention to the sumptuous vocals, furious guitar playing and the pure adrenaline rush of high speed drumming.
Four years later and we have the 'Warrior Race EP..
Aryavarta
To Mega Therion
The first song is acoustic based and has quite an old school folk rock feel to it, full of passion and once again with
that precision of musicianship and production in perfect harmony.
The Therion cover does the original justice, for me though the overall vibe i get is one of power metal, the guitar playing just a tad too technical for my own personal taste.
Finally three tracks from 2018's 'The Legacy of Atlantis'..
The Legacy of Atlantis
And I Shall Find My Home
The Monastery
Absolute killer bass playing on this title track, really drives this mid paced choral heavy song.
The next song picks up the pace and is a full on symphonic onslaught, huge variety in vocal styles blended together to accentuate each changing section of the song.
The final song has this wonderful almost Celtic instrumentation that once again borders into folk rock territory.
What these 2018 songs really show however, is that the band kept pushing forward, did not become complacent with their sound they adapted each personal and musical setback with a determination to create as near perfect an example of how symphonic rock can and should be approached.
I think my main question is why have I not heard this band before? Seven years since formation and yet not once can I recall a single mention of them, yet they have thousands of fans all over the world and appeared all over europe.
Go to their official website, download these songs, your ears will love you forever!
Rating 9/10
For fans of: Therion, Dimmu Borgir, Mr Doctor's Devil Doll, Kamelot, Opera IX, Leaves Eyes
http://www.imperial-age.com/
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