Music & Related Reviews. Other writing from the obscure realms of Mr Stu's Mind.
Showing posts with label Gothic Horror. Show all posts
Showing posts with label Gothic Horror. Show all posts
Wednesday, 8 October 2014
Sam Haynes - Spine Chillers (CD Review)
01.Death Comes Creeping In
02.HeXed
03.Masks
04.Spine Chillers
05.Grim Reaper
06.Halloween Twilight
07.Night Caller
08.Sinister Lullaby
09.Cemetery Gates (Remix)
10.Spirit Of Halloween
11.Pandemonium Carnival
12.Night Of The Ghouls
13.Pumpkin Carver
14.Hex (Soundtrack Mix)
15.Just Before Dawn
16.Silent Kill - Stories Of The Dead (Sam Haynes Remix)
17.The Other Side (Remix)
18.Halloween Night (Extended Remix)
19.A Haunted House Party
20.Night Of The Ghouls (No Zombies version)
Sam Haynes (All Instruments)
Not quite sure who Sam Haynes is in real life, but he began creating music a few years ago he describes his art as:
"The music is dark electronic soundtrack music, inspired by 70s and 80s horror movie themes. It is designed to sound retro but also modern with electronica and dubstep influences. My main aim is to create genuinely scary modern music that recreates the first time I heard these great soundtracks."
His first release was in 2012 and has already picked up a cult following and had some of his music used in independant horror films.
This year won a 'Frightee' award for best halloween song and has now unleashed this latest album with a few extra remix tracks added as a bonus.
While the first few tracks fall into the symphonic soundtrack style the first piece that stands out is the electronic synth and drum of 'Grim Reaper' with its definate overtones of John Carpenter.
Sticking with that retro synth does make for some great compositions especially when we come to 'Night Caller' complete with a symphonic chorus, this one really creates atmosphere.
The remix of 'cemetary Gates' is not an electronic take on the Pantera song as used in that Chucky horror film, but that said this could have been part of the movies soundtrack.
'Night Of The Ghouls' is the first to feature some sort of vocal, though this is just a sample of a news report on killing ghouls, the music is laid back and synth driven.
The whole album is a great mix of the two styles from electronica to symphonic, in reality it is the electronic ones that are easier to listen to as instrumentals as the ambient symphonic ones really are designed for the big screen.
Rating 9/10
For fans of: Goblin, John Carpenter, Fabio Frizzi, Midnight Syndicate, Axis Of Perdition
BANDCAMP
https://samhaynes1.bandcamp.com/album/spine-chillers-horror-music-for-halloween
Thursday, 3 October 2013
The Vision Bleak - Witching Hour (CD Review)
01.Witching Hour
02.A Witch Is Born
03.The Bloksberg Rite
04.Cannibal Witch
05.The Wood Hag
06.Hexenmeister
07.Pesta Approaches
08.The Call Of The Banshee
09.The Valkyrie
10.Witchery In Forests Dark I
11.Witchery In Forests Dark II
Schwadorf (Guitars/Bass/keyboards)
Konstanz (voices/Drums/keyboards)
Three years after "Set Sail To Mystery", the masters of Horror Metal have undergone creative rejuvenation. With the spontaneity and playfulness of "Witching Hour", Schwadorf and Konstanz hark back to their debut „The Deathship Has A New Captain", and the slogan "creepy and haunting entertainment" has not been more topical and fitting ever since 2004. The comprehensive witchcraft concept of "Witching Hour" highlights the duo as morbid storytellers with a bizarrely brutal, yet also entertaining assortment of fairytales and myths up their sleeves. Familiar elements such as groovy, driving riffs, sublime, melodic lead guitars and Konstanz' unique voice are still the defining characteristics, yet new implementations like the haunting flute or the most versatile and sinister vocals so far are crucial to the fact that "Witching Hour" in its entirety sounds more dour and unfathomable than earlier recordings.
From the gothic intro of 'Witching Hour' you could be forgiven for thinking that this is going to be a nice ambient album..WRONG!
'A Witch Is Born' kicks in with some gothic tinged black metal with a hint of Rammstein thrown in !
A full onslaught of layered keyboards, guitarwork and drums follows until we arrive at parts one and two of 'Witchery In Forests Dark' totalling 16 minutes of epic music.
Starting with sound effects and simple keyboard, it gets more and more creepy (like a perfect horror movie soundtrack), lurking in the distance is the occasional guitar riff and then some demonic vocal effects.
Then just when you think its gonna kick into some metal, well it doesnt, it holds the ambience with a synth playing a "sitar" like sound, throw in more sound effects and a little symphonic undertone towards the end and you are left with a chill down your spine!
Rating 9/10
For Fans Of : Midnight Syndicate, Axis Of Perdition, Satyricon, Cradle Of Filth, Rammstein
Thursday, 19 September 2013
Symphony Of Pain - Hydeology (CD Review)
01.Mister Hyde
02.Darker Side
03.3rd Mauvement
04.Sister Change
05.Lonely
06.Am I Dreaming
07.Kiss The Bride
08.For Now I'm Dead
09.Out Of My Head
10.Broken Clown
11.Nightmare Life
Tracie Law (Vocals/Bass/Guitar/Drums)
Pam Chowhan (Piano/Violin/Keyboards)
Guest Musicians:
Dave Dart (Guitar)
Nick Taylor (Guitar)
Liz Sweetland (Vocals)
Dean Simister (Drum Programming)
Formed by Tracie (from Beki Bondage band) and Pam (Pianist to Andrew Lloyd Webber) the duo set about creating an ecletic gothic rock group.
The debut album is a combination of three years work and features some guest guitar playing from Krybgrinder's Dave Dart.
Right i have listened to the album all the way through, now gonna take a break for a while then come back to it........
This is a weird one to review, it doesnt do what you expect it to, the promo sheet talks of Thin Lizzy and Queensryche as being influences yet neither influence shows anywhere, in fact if you had told me Hawkwind and The Cure then i would have seen that as more obvious.
For an album essentially "Gothic" it has more in common with Tristania jamming with Simon House and Tim Blake, its a very strange and intresting mix of styles, much of the music is symphonic in structure blended with "heavy metal" riffs and drums then amazing sweeping synths (think Tim Blake, Klaus Schulze) and huge violin solo's worthy of Hawkwind/David Bowie player Simon House.
The vocals seem to range from Snowy Shaw (Therion) to Jinx (Deep Switch) and sometimes almost done as narration.
Then add the quirky element like those pop/goth singles that The Cure used to do so well and all this put together gives you an idea of where this album sits.
When i said "doesnt do what you expect it to" this comes in with songs like 'Broken Clown' you would expect a nightmare circus sound, but you dont get one, other songs you expect guitars to come in and they dont, so it tends to throw you off.
The last song 'Nightmare Life' has an opening violin that is pure Hawkwind (in fact i thought it could have been the 1977 classic 'Hassan I Sahba') and i was expecting it to "kick in" and you guessed it....it didnt, well not to start with anyway.
The lyrics seem to range from nursery rhyme themes (very prevelant in 'Am I Dreaming') to dark humour and straight forward goth/horror imagery.
A very good production and layering of sounds, especially in the first few tracks which flow into each other, the later ones come over individually.
There was only one song i didnt like much, but then for my ears it was saved by that brilliant synth/violin instrumental section towards the end.
So for an album that you would simply tag as "Goth" it has much more to offer and consequently would appeal to a wider audience.
Rating 9/10
For Fans Of : Tristania, Therion, Cradle Of Filth, Hawkwind, Emille Autumn, L'Ame Immortale, Ghost Dance
FACEBOOK : https://www.facebook.com/pages/Symphony-of-Pain/227364320695230?fref=ts
Thursday, 12 September 2013
Midnight Syndicate - Monsters Of Legend (CD Review)
For the past sixteen years, dark music pioneers Midnight Syndicate have been creating Halloween music and gothic, horror, fantasy "soundtracks for the imagination." Formed by composer/director Edward Douglas in 1995, their music has become a staple of the Halloween, gothic music, haunted attraction, and role-playing game industries. With a catalog of CDs that blend dark, orchestral horror and fantasy movie score-style music with sound effects, the band consisting of Edward Douglas and Gavin Goszka has had its soundtracks to imaginary films featured in everything from Hugh Hefner's infamous Halloween parties, Barbara Walters specials and Monday Night Football to X-Box games, tracks by horrorcore artists Insane Clown Posse, Twiztid, and the Academy Award-winning Three Six Mafia as well as concerts by punk rock and metal pioneers The Misfits and King Diamond. The music has also been featured on countless television shows and documentaries relating to horror films and the supernatural.
Often referred to as the "first Haunted House band," Midnight Syndicate is the industry standard for the world's top haunted attractions and amusement parks. From Siberia and Hong Kong to Europe and the United States, whether it's a costume store, neighborhood celebration, SiriusXM's Halloween Channel, or even a Halloween themed-cruise, Midnight Syndicate's music has become synonymous with the many people's celebration of the holiday.
From 1997 through 2005, Midnight Syndicate built their following through the release of "Midnight Syndicate," "Born of the Night," "Realm of Shadows," "Gates of Delirium," "Vampyre: Symphonies from the Crypt," and "The 13th Hour."
In 2003, Midnight Syndicate made an impact in the gaming industry when it teamed up with Hasbro and Wizards of the Coast to produce the first official soundtrack to the classic role-playing game, "Dungeons & Dragons." Midnight Syndicate's 2005 release, "The 13th Hour," was the first music CD to ever receive the industry's top two awards: The Origins Award and the ENnie Award for Best Gaming Accessory. 2007 saw the band take on three new projects as they composed music for Universal Studios' Halloween Horror Nights XVIII, scored Robert Kurtzman's drive-in thriller, "The Rage," and began work on their biggest production to date, "The Dead Matter" movie.
An updated remake of a film that Edward Douglas produced and directed in 1995 for $2000, "The Dead Matter" is a supernatural thriller co-produced by Midnight Syndicate Films, Robert Kurtzman (Producer of "From Dusk Till Dawn," co-founder of KNB FX), and Gary Jones ("Xena," "Boogeyman 3"). The movie stars Andrew Divoff ("Lost," "CSI: Miami," "Wishmaster"), Jason Carter ("Babylon 5," "Angel"), FX-legend Tom Savini ("Friday the 13th," "Dawn of the Dead"), and legendary horror hosts Dick "Count Gore de Vol" Dyszel and "Big Chuck" Schodowski. The movie tells the story of a girl named Gretchen, whose desire to reconnect with her dead brother draws her into the supernatural world of vampirism and the living dead. Drenched in the dark and shadowy music of Midnight Syndicate and inspired by EC Comics, Creepshow, and Hammer Films, this mix of classic horror, modern twists, and 80's camp proved to be a winning formula for fans and critics alike.
In 2008, the band released it's tenth studio album, "The Dead Matter: Cemetery Gates." One of their most critically acclaimed releases to date and inspired by the themes from the upcoming movie, the disc draws listeners into the supernaturally-charged world of "The Dead Matter," taking them on a musical journey into a realm of forbidden relics, druids, vampires, and the living dead.
In April of 2010, Midnight Syndicate released their first music video. It was to the song "Dark Legacy" from "The Dead Matter: Cemetery Gates" CD. It featured Ed and Gavin performing live together for the first time, as well as scenes from "The Dead Matter" movie. Produced with the help of Robert Kurtzman's Creature Crew and Screamline Studios, the video was shot in the historic and haunted Phantasy Theatre in Lakewood, Ohio. In June, Midnight Syndicate teamed up with Cleveland-based 529 Films ("Hellementary") to release a second music video, this time for the song "Lost" which appeared on both "The Dead Matter: Cemetery Gates" and "The Dead Matter: Original Motion Picture Soundtrack."
In early July 2010, the band teamed up with vocalist Destini Beard to release "The Dark Masquerade." This six-song EP features existing Midnight Syndicate songs blended with operatic vocals and haunting lyrics written performed by Destini. The success of this EP lead to the production of a full-length followup CD entitled "A Time Forgotten" which was released in August of 2012. In July of 2010, the band released "The Dead Matter" DVD, "The Dead Matter: Original Motion Picture Soundtrack" and their "Halloween Music Collection" CD, which is a compilation of some of the band's favorite tracks from their first thirteen years.
In August of 2011, the band released their fourteenth studio album, "Carnival Arcane." The narrative of the disc surrounds the Lancaster-Rigby Carnival, a turn-of-the-century traveling circus with more than a few skeletons in its closet. Inspired by historical research into carnivals of that time period and the writings of Ray Bradbury, the disc features the band's most intense sound design to date. "We wanted to push the boundaries on this disc. For a band that's made a career of making "soundtracks to imaginary" films, I think this one feels more like a movie than anything we've done to date," said Edward Douglas. "Definitely the most complete and intricate soundscape we've ever produced. You can practically smell the popcorn and Fairy Floss (cotton candy)," said Gavin Goszka. "There's also a tremendous amount of variety. There are moments where I think the listner will find themselves caught up in this strange sense of wonder and macabre fascination, and others that will leave them shaking in their boots. We were able to expand our instrument roster on that disc in ways that we'd only touched on before." Within months, "Carnival Arcane" became the band's most critically-acclaimed disc to date, garnering rave reviews from press and fans alike. In 2012, it won Best Horror CD / Soundtrack at the horror community's 10th annual Rondo Hatton Awards and was nominated for best RPG-related product in the RPG industry's ENnie Awards.
As Midnight Syndicate enters it's sixteenth year, they show no signs of slowing down. In August of 2012, the band announced that they had completed the score to the upcoming grindhouse thriller, "Bunyan" (starring Joe Estevez and Grizzly Adams' Dan Haggerty). That same month, they released Destini Beard's "A Time Forgotten," Destini Beard's full-length followup CD to "The Dark Masquerade" that takes listeners behind the room walls of a haunted Victorian hotel. Production on the next Midnight Syndicate disc is well underway. Although details have not been released, it was announced that the new disc will classic horror theme inspired by the early Universal and Hammer Films.
This latest offering is a superb trip into the genre, creating the perfect ambience.
Stunning !!!
Rating 9/10
For fans Of : Dario Argento, Axis Of Perdition, Cradle Of Filth, Akira Yamako
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