Showing posts with label Operatic Metal. Show all posts
Showing posts with label Operatic Metal. Show all posts

Sunday, 9 June 2019

Various Artists - Steampunk Records Sampler 1 (CD Review)


Steampunk Records Sampler 1

01. Victor and the Bully – Butterfly Effect
02. Professor Elemental & Tom Caruana – Mectoria
03. The Wattingers – Dead Man’s Hat
04. The Heaven and Hell Orchestra – The Bad Vision
05. BB Blackdog – Thousand Years
06. Off Limits – Calling Witchcraft
07. Aeronautica – Pech and Schwefel
08. Feline & Strange with Mishkin Fitzgerald – Cassandras Twin
09. Darwin Project – Run Red Run
10. Gurdybird – Papa Zulu
11. Capt Roswell & The Lost Alien Tribe – Alien Eye
12. LM Cooke Music – Moon Song
13. Miss Von Trapp - Do Your Gears Hang Low
14. Cabaret Berlin – Beautiful Berlin
15. The Big Fibbers – Steam Tramp Blues
16. Victor Sierra – El Mundo Superior
17. The Dark Design – Haggard Rider
18. Kiss Like Ether – Heaven Can Wait
19. Montague Jacques Fromage with Victor & The Bully – Walk A Little Lopside
20. My Wooden Leg – Cop City
21. Lies Of The Machine – Psychocircus

22. New Jacobin Club – Angel MMXIV




Trying to review a 22 track sampler cd that you cannot buy is a bit of a bugger, however it does act as a good guide to what the record label is offering on a selection of Various Artists compilations you can buy as well as releases from many of the individual acts.

I have said this before and I will say it again, the notion of Steampunk as a music genre is a nonstarter, there is music performed in numerous styles by people who identify with the Steampunk culture, this can influence their writing style and their appearance and the way they market their image.
Some music here is clearly influenced from a different age and for any pedants amongst you would no doubt identify some chosen genres as ‘Dieselpunk’ or even ‘Cyberpunk’, personally I prefer to take the music as I hear it regardless of what it is or isn’t supposed to be.
That said I will now attempt to put some of these acts into an identifiable music genre which I hope will make the review easier to digest.

Well just spent the best part of an hour hunting down these bands on good old Facebook, so I think I have a bit of an idea what to expect from some of the acts, some seem quite interesting others slightly disturbing.

Kicking off with ‘Victor and the Bully’ a great upbeat neo rock n roll sounding song, a bit like Rocket From The Crypt. The band also return in collaboration with American Steampunk legend Montague Jacques Fromage, this time a completely different sound, more poppy, upbeat and happy with Mr Fromage delivering, as ever, a superb tongue in cheek funky rap.

The ‘Wattingers’, have a super sleazy swamp blues vibe, defiantly one for Nick Cave fans, need to hear some more to get an overall idea of what they about.
Not too sure what to make of ‘The Heaven and Hell Orchestra’, I suppose if Therion had been around in the 1930’s they may have sounded a bit like this.

As ever ‘BB Blackdog’ blow the hell out of the speakers with their strange eclectic mix of Psychedelic rock and the bass crazed antics of Primus!


Totally stunning mix of neo folk and hard rock comes ‘Off Limits’, great vocal style and loving the use of violin, one for Skyclad fans.
Accordion into Celtic rock and sung in German, I feel that we have in ‘Aeronautica’ a band who like Turisas, Alestorm and Rammstein.


Want a totally breath-taking four minutes? Then ’Feline & Strange with Mishkin Fitzgerald’ song “Cassandras Twin” will do just that. Amazing operatic performance with simple piano and electronic backing, could be from the soundtrack to “Repo! The Genetic Opera”.




Taking a complex instrument the Hurdy Gurdy and bringing it into the 21st century with a slight techno backing, may seem a hard thing to pull off with class, but ‘Gurdybird’ seem to do this with ease.

If you like post 1980’s Hawkwind then ‘Capt Roswell & The Lost Alien Tribe’ with its drums n synths backing to some Hillage inspired riffery then this is the band for you.
Dark and atmospheric Acid Folk is on offer from ‘LM Cooke Music’ I highly recommend her album ‘Nursery Rhymes for the Apocalypse’.

Time for some modern interpretation of classic British music hall from ‘Miss Von Trapp’ in the style of legends such as Lily Morris and Marie Lloyd.

From the music halls of Britain to the clubs of Weimar era of the early 1930’s and ‘Cabaret Berlin’ bring us a perfect recreation of singer and pianist as if they had somehow time travelled to the here and now.


‘The Big Fibbers’ with their “Steam Tramp Blues” is an oddity almost as if John Otway & Wild Willy Barrett were doing a version of the Stray Cats!

I have no idea what ‘Victor Sierra’ are on, but if Rob Zombie did a slow and weird cover of a Brujeria song it might sound like this?
‘The Dark Design’ have a cowpunk vibe, if that’s not a term you have heard before, well back in the early 1980’s there was a brief and strange mix of post punk and country & western music.

Some industrial tinged proto cyberpunk from ‘Kiss Like Ether’, very 80’s but the mix is quite thin.
‘My Wooden Leg’ great name for a band, this is a bit quirky, touch of Primus in there and some Zappa like guitar work.




With a song called “Psychocircus” I was expecting perhaps a cover of the Kiss song, but strangely ‘Lies Of The Machine’ have some interesting elements of Death and Black Metal, nice clean vocals and then deth growls, then throw in some symphonic vocals, needs more investigating but if you like Dimmu Borgir or Cradle Of Filth then check this band out.




Finally ‘New Jacobin Club’ with a sound that seems to blend 70’s Blondie with 90’s metalcore, again another band I feel the need to check out.

So as you can see plenty of different music styles to get your interest going and next time you see the word ‘Steampunk’, well don’t be put off, there really is some stunning music out there!


Steampunk Records Facebook Page

Tuesday, 30 June 2015

Lanthanein - Nocturnalgica EP (CD Review)


01.Lágrimas De Luna
02.Nocturnálgica
03.A Orillas Del Silencio
04.Lacrimosa Et Gementem


Marili Portorrico (Vocals/Choir Arrangements/Programming)
Juan Mansilla (Vocals/Guitar/Bass/Programming)



From Argentina, they are a gothic/doom metal project that had been around for a while but eventually surfaced at the beginning of this year to bring us an EP of Classical music inspired music.



Nice piano and church bell intro to 'Lágrimas De Luna', quickly turns into a nice symphonic goth song, and whilst the vocals are great they are not in English, so i have no idea whats she's singing about.

'Nocturnálgica' is a different beast, the agressive intro complete growl male vocal works well but soon decends into standard symphonic/goth.The operatic vocal duet does lift this one, but still dont know what they are singing about!

With a wide selection of different instruments used on 'A Orillas Del Silencio' at least there is plenty to listen too from its neo folk meets progressive to that symphonic style again, and still no sig of doom.

Finally 'Lacrimosa Et Gementem' just sticks with the symphonic goth again.

Rating 7/10
For Fans Of: Valentine Wolfe, Epica, Tristania

Monday, 25 May 2015

Valentine Wolfe - The Nightingale- A Gothic Fairytale (CD Review)


01.Black Feathers
02.Dark Desire
03.The Place Where Evil Grows
04.Inside My Nightmare
05.Devil's Bane
06.Darkling, Listen
07.Twisted Melody
08.Precious Moments
09.Moonlight Prayer
10.Belladonna, Deadly Nightshade
11.You Could Never Have My Heart
12.Ghost Of Her Self


Sarah Black (Vocals/Piano/Harpsichord/keyboards)
Braxton Ballew (Bass/Programming/Electronics)



Hailing from South Carolina, Braxton Ballew and Sarah Black have been composing and performing music together as Valentine Wolfe since 2006.
Both coming from a classical background, with qualifications to back it up and hold graduate degrees from the University of Georgia, where they studied electronic composition, Ballew is also the Education Director of the Greenville Symphony Orchestra.

Perhaps it is no surprise that their scores have been heard in theatre productions of The Merchant of Venice, The Tempest, The Winter’s Tale and Twelfth Night.What may be a surprise is their love of Metal, Goth and Industrial music and the very clever way that they put all their influences and styles together.

What surprised me after the first listen was how they put their music together to sound like a full band complete with drums and guitar, when in fact neither are on the album!
As they said when i aksed them; "Just us, Sarah and Braxton, no guitars all the distortion parts are double bass and we program the drum loops ourselves."

Time now i think to hit play and listen to some of this self styled 'Victorian Chamber Metal'.



'Black Feathers' has a moody and atmospheric
 opening before turning into a solid commercial sounding symphonic rock song, really love the live sounding drum sound that drives this piece, great distortion riffs and harmonic keyboards, now over this is a
beautiful operatic soprano vocal and as the song progresses we are treated to some amazing double bass playing, sounds more like a cello to me (but what do i know?).

Now 'Dark Desire' is a hybrid of gothic rock and classical, but this one has a rock opera feel as well, reminiscent of Sarah Brightman's songs in the film Repo! The Genetic Opera, again driving drum patterns and that double bass make for a perfect mix to both move you emotionally and in a bang your head kinda way.

Moving into slightly different territory with 'The Place Where Evil Grows' as this uses more electronic samples and effects on the vocals, this time the double bass sounds like a violin as well.

Somehow on the song 'Inside My Nightmare' Braxton manages to get that double bass to sound like Simon House circa 1974, dont know how he can create so many amazing sounds from guitar to violin on it, but he does!


'Devils Bane' may have a solid rock sound but the vocal style whilst still operatic has a neo-folk feel to it, this helps create an intresting blend, the same can be said of 'Darkling, Listen' though this track has some more of that awesome drum and double bass playing set into some timing changes.

By far the heaviest song so far is 'Twisted Melody' for underneath that harmonic vocal lurks some evil heavy metal riffs.

After more of the same with 'Precious Moments' complete with some frantic drumming towards the end (yes i know its not real, but they have nailed the sound to perfection).

Heavy Metal meets Industrial on 'Moonlight Prayer' and once again it is that double bass playing that continues to astound me, so many different sounds!
This song has a lot going on it, different timing changes and lots of backing vocals and for some reason parts of this remind me of Rocket From The Crypt's 'On A Rope'.


So can Industrial influenced metal, operatic singing and Harpsicord go together?
'Belladonna, Deadly Nightshade' proves that the answer is "yes" and clearly anything is possible with these two talented and inventive musicians.

More drum driven power with 'You Could Never Have My Heart' and more outstanding double bass playing.

Finally 'Ghost Of Her Self', a slow and dark goth/opera piece, great vocal double tracking, solid as ever musical backing, more great distorted riffs and (yes i'm gonna say this again) the drum and double bass playing is just perfect.


Rating 9/10
For Fans Of: Epica, Emilie Autumn, Rasputina, Angtoria, Mr Doctor's Devil Doll , Apocalyptica

Facebook: Valentine Wolfe


Saturday, 31 July 2010

THERION - SITRA AHRA (CD Review)



01.Sitra Ahra
02.Kings Of Edom
03.Unguentum Sabbati
04.Land Of Canaan
05.Hellequin
06.2012
07.Cu Chulain
08.Kali Yoga III
09.The Shells Are Open
10.Din
11.After The Inquisition/Children Of The Stone


Christofer Johnsson (Guitars/Keyboards)
Christian Vidal (Guitar)
Nalle "Grizzly" Påhlsson (Bass)
Johan Koleberg (Drums)
Thomas Vikström (vocals)
Snowy Shaw (vocals)
Lori Lewis (Vocals)

Legendary Swedish heavy metal band founded by Christofer Johnsson in 1987.Despite the religious connotations their name is actually a homage to the Celtic Frost album To Mega Therion.

Beginning as a death metal band, they later turned to combining orchestral elements with their metal music, employing heavy use of choirs and classical musicians, not only as additions to but also as integral parts of the composition.

There are a number of slightly exagerrated claims such as "Therion is the first metal band with fully live orchestra", something that Deep Purple first did back in 1969 and "It is also the band which originated, popularised and influenced the symphonic metal genre", i would suggest the Italian band Devil Doll have more of a right in the "originated" and that it was Nightwish who "Popularised" the genre.

However Therion are almost certainly the best exponents of the genre that at times is more operatic than mere symphonic metal.

Musically taking its themes from different mythologies and is based on concepts ranging from occultism, magic and ancient traditions and writings. The majority of their lyrics were written by Thomas Karlsson, head and founder of the magical order Dragon Rouge, of which Johnsson is a member.
The band has seen many changes in line-up and style throughout its history, perhaps the most shocking was the departure of Karlsson in 2008, however in November 2009 a new line up was put together along with the announcemnet of the recording of this album.

Generic symphonic pomp is a perfect way to start this album and 'Sitra Ahra' ticks every box, with high female vocal and dark male vocal, full chorus, driving drums and powerchord structures and a blazing solo.


'Kings Of Edom' has an operatic start but quickly switches to folk/ballad influences.
Half way through the epic vocal chorus brings to mind Turisas, whilst dare i say that towards the end it has all the qualities of a Moody Blues song before heading into speed metal territory.


A serious nod towards doom metal heralds 'Unguentum Sabbati' a straightforward blast with awesome vocals and lurking in there some keyboard riffs from Phantom Of The Opera.


'Land Of Canaan' oh fuck!!!
Seriously how do i even begin to review this song???
Its a 10 minute mini opera that throws everything at you, okay so it has that spookycore start a la KoRn, then we enter classic euro prog metal, then harmonica and acoustic guitars that would make Ennio Morricone proud, which then morphs into battle metal territory with some great flute playing thrown in.
Then here comes that epic male choir, then damn we get some accordian and soprano female vocal to slow things down a bit.
Yet another tempo change with harpsicord leading to traditional eastern european folk with a vocal that could be Marilyn Manson duetting with Topol from fiddler on the roof!!!
A melancholy breakdown then blends into a mid tempo drum rhythm with violins and cello's and another male chorus, then a happy upbeat almost pop bit with some humming and a Kate Bush (ish) vocal blended with more opera.
This is just the most stunning song i have heard in a very long time!

Just how many vocal styles can they keep coming up with??? 'Hellequin' seems to be able to put in black metal vocals and Male tenor that could be Christopher Lee.
Some great 60's style organ playing add's to the ecletic mix to create yet another outstanding piece of music.


'2012' continues this pure aural delight that has a great pumping bassline, Iommi' style guitarwork, high male vocals, superb choral backing, and breakdowns with violins.


The anthemic 'Cu Chulain' with its echo of a traditional welsh male choir on the chorus mixing well with its hard rock verses and overall structure, definatley a touch of Thin Lizzy lurking in the background.
Funnily enough its not unlike a heavy metal take on pet shop boys go west!


Gothic and anthemic and heavy as hell, 'Kali Yoga III' and taking on the Krishna mythology way better than George Harrison ever did!
The song continues from parts one and two from their Sirius B album from 2003.


That wonderfull tenor vocal returns for 'The Shells Are Open' its an almost bouncy ska like backing, a typically operatic song.


Whoa!!! suddenly satyricon make an appearence (well not actually them) but could be with this full on black metal assault with the aptly titled 'Din'.
Furious double peddling and blast beats with full choral vocals create a stunning headbanger.


'After The Inquisition/Children Of The Stone' brings us to a gentle and calm finale.
Beautiful acoustic guitars lead into a pink Floyd/Moody Blues chill out.
The choir sounds almost childlike bringing to mind that song from the Lost Boys movie.

In terms of musicianship, structure, production and emotion this is quite possibly the best album you will hear this year.


STU (Valued contributions from Chelle).

Rating 10/10

For fans of: Nightwish, Epica, Tristania, Devil Doll, Cradle Of Filth, Turisas, Dimmu Borgir