Showing posts with label Neo Victorian. Show all posts
Showing posts with label Neo Victorian. Show all posts

Sunday, 9 June 2019

Various Artists - Steampunk Records Sampler 1 (CD Review)


Steampunk Records Sampler 1

01. Victor and the Bully – Butterfly Effect
02. Professor Elemental & Tom Caruana – Mectoria
03. The Wattingers – Dead Man’s Hat
04. The Heaven and Hell Orchestra – The Bad Vision
05. BB Blackdog – Thousand Years
06. Off Limits – Calling Witchcraft
07. Aeronautica – Pech and Schwefel
08. Feline & Strange with Mishkin Fitzgerald – Cassandras Twin
09. Darwin Project – Run Red Run
10. Gurdybird – Papa Zulu
11. Capt Roswell & The Lost Alien Tribe – Alien Eye
12. LM Cooke Music – Moon Song
13. Miss Von Trapp - Do Your Gears Hang Low
14. Cabaret Berlin – Beautiful Berlin
15. The Big Fibbers – Steam Tramp Blues
16. Victor Sierra – El Mundo Superior
17. The Dark Design – Haggard Rider
18. Kiss Like Ether – Heaven Can Wait
19. Montague Jacques Fromage with Victor & The Bully – Walk A Little Lopside
20. My Wooden Leg – Cop City
21. Lies Of The Machine – Psychocircus

22. New Jacobin Club – Angel MMXIV




Trying to review a 22 track sampler cd that you cannot buy is a bit of a bugger, however it does act as a good guide to what the record label is offering on a selection of Various Artists compilations you can buy as well as releases from many of the individual acts.

I have said this before and I will say it again, the notion of Steampunk as a music genre is a nonstarter, there is music performed in numerous styles by people who identify with the Steampunk culture, this can influence their writing style and their appearance and the way they market their image.
Some music here is clearly influenced from a different age and for any pedants amongst you would no doubt identify some chosen genres as ‘Dieselpunk’ or even ‘Cyberpunk’, personally I prefer to take the music as I hear it regardless of what it is or isn’t supposed to be.
That said I will now attempt to put some of these acts into an identifiable music genre which I hope will make the review easier to digest.

Well just spent the best part of an hour hunting down these bands on good old Facebook, so I think I have a bit of an idea what to expect from some of the acts, some seem quite interesting others slightly disturbing.

Kicking off with ‘Victor and the Bully’ a great upbeat neo rock n roll sounding song, a bit like Rocket From The Crypt. The band also return in collaboration with American Steampunk legend Montague Jacques Fromage, this time a completely different sound, more poppy, upbeat and happy with Mr Fromage delivering, as ever, a superb tongue in cheek funky rap.

The ‘Wattingers’, have a super sleazy swamp blues vibe, defiantly one for Nick Cave fans, need to hear some more to get an overall idea of what they about.
Not too sure what to make of ‘The Heaven and Hell Orchestra’, I suppose if Therion had been around in the 1930’s they may have sounded a bit like this.

As ever ‘BB Blackdog’ blow the hell out of the speakers with their strange eclectic mix of Psychedelic rock and the bass crazed antics of Primus!


Totally stunning mix of neo folk and hard rock comes ‘Off Limits’, great vocal style and loving the use of violin, one for Skyclad fans.
Accordion into Celtic rock and sung in German, I feel that we have in ‘Aeronautica’ a band who like Turisas, Alestorm and Rammstein.


Want a totally breath-taking four minutes? Then ’Feline & Strange with Mishkin Fitzgerald’ song “Cassandras Twin” will do just that. Amazing operatic performance with simple piano and electronic backing, could be from the soundtrack to “Repo! The Genetic Opera”.




Taking a complex instrument the Hurdy Gurdy and bringing it into the 21st century with a slight techno backing, may seem a hard thing to pull off with class, but ‘Gurdybird’ seem to do this with ease.

If you like post 1980’s Hawkwind then ‘Capt Roswell & The Lost Alien Tribe’ with its drums n synths backing to some Hillage inspired riffery then this is the band for you.
Dark and atmospheric Acid Folk is on offer from ‘LM Cooke Music’ I highly recommend her album ‘Nursery Rhymes for the Apocalypse’.

Time for some modern interpretation of classic British music hall from ‘Miss Von Trapp’ in the style of legends such as Lily Morris and Marie Lloyd.

From the music halls of Britain to the clubs of Weimar era of the early 1930’s and ‘Cabaret Berlin’ bring us a perfect recreation of singer and pianist as if they had somehow time travelled to the here and now.


‘The Big Fibbers’ with their “Steam Tramp Blues” is an oddity almost as if John Otway & Wild Willy Barrett were doing a version of the Stray Cats!

I have no idea what ‘Victor Sierra’ are on, but if Rob Zombie did a slow and weird cover of a Brujeria song it might sound like this?
‘The Dark Design’ have a cowpunk vibe, if that’s not a term you have heard before, well back in the early 1980’s there was a brief and strange mix of post punk and country & western music.

Some industrial tinged proto cyberpunk from ‘Kiss Like Ether’, very 80’s but the mix is quite thin.
‘My Wooden Leg’ great name for a band, this is a bit quirky, touch of Primus in there and some Zappa like guitar work.




With a song called “Psychocircus” I was expecting perhaps a cover of the Kiss song, but strangely ‘Lies Of The Machine’ have some interesting elements of Death and Black Metal, nice clean vocals and then deth growls, then throw in some symphonic vocals, needs more investigating but if you like Dimmu Borgir or Cradle Of Filth then check this band out.




Finally ‘New Jacobin Club’ with a sound that seems to blend 70’s Blondie with 90’s metalcore, again another band I feel the need to check out.

So as you can see plenty of different music styles to get your interest going and next time you see the word ‘Steampunk’, well don’t be put off, there really is some stunning music out there!


Steampunk Records Facebook Page

Thursday, 1 October 2015

Ague - Powered by Effluvia (CD Review)


01.Risus Sardonicus
02.Fifty Drachms (To Kill A Man)
03.Apoplexy In Summer (Industrial Accidents)
04.Parker's Expedition
05.Ubersoldat (Gbe Age)
06.Fifteen Leagues To Providence
07.In Contempt Of Quinsy And Dropsy
08.Posing As Babalon
09.Hand Of Cinder, Hand Of Ash
10.Chapel Perilous

Half-Rats (Vocals/Instruments)

Guest
Steven C Davis (Narration on track 7)



Steampunk, Victorian Goth (Dreadpunk), there are many possible genres that could be named for this American one man band formed in December 1884, though i suspect that 2014 may be a closer date.
Multi instrumentalist Half-Rats explains: "Plain speaking...I'll say that my music is not about impressing the wrong quantity, it's about vexing the right one. Fulfilling all of the duties of my given office...such things as being the living conduit and messenger for a dead world, guarding the affects of the deceased and establishing a bastion in this time - availing myself of all resources provided here to awaken the masses; reconciling past and present to set into locomotion a vehicle to a better future."

He has created a clever "back Story" a shortened version:

In post-civil war Detroit; a man, an act existed, compounded of a singular deviancy of character and incongruity of thought in relation to the mode of its day. My presence here is owed to an unnatural power, an ancient and terrible force of primordial origin - held by ethereal beings known to me simply as the "Hellbourne". Prior to the discovery of this queer source of power, I lived, and it can be fervently argued, on the periphery of polite society - A rogueish Heir with friends of questionable moral character - both rubbing shoulders with and coming to blows with casuals, publicans and the insane...My music and lyrics treated the problems of the day, and in no sense was I welcomed even in the bawdiest of establishments - The act was certainly considered odious in the newly-reformed vaudeville shows - not due to tawdry seduction, but to the brash truth! Still, I stayed the course. If you have made the assumption that the singular event that changed my already calamitous lifestyle afforded me no opportunity for salvation - you would be correct.

Corrupt police, disease, finding myself accidentally transported to the year 1916, frictions with socio-political movements, supernatural forces, bar brawls, pistols, the malcontent back-alley butcher, mad professors, reanimated super-soldiers...It was all there for me to contend with.


A touch of swing meets classic americana and 'Risus Sardonicus' launches us into the complex and (as yet) unkown world of Ague. This light near acoustic opener is then followed by a much darker piece: 'Fifty Drachms (To Kill A Man)'. A great vocal performance that is not a million miles away from Rufus Wainwright or Danny Elfman, excellent guitar playing and some nice keyboard work in the mix as well.

With its carnival keyboards 'Apoplexy In Summer (Industrial Accidents)' is a happy sounding song with some great backing harmony vocals, yet somehow its a disturbing piece, reminiscent at times of the Stranglers 'waltzinblack'.

'Parker's Expedition' has this wonderful old fashioned feel to it, another stunning vocal performance, this one has more than a touch of the cabaret about it.

Cannot go wrong with some harpsicord and 'Ubersoldat (Gbe Age)' has a great intro by said instrument and it is present throughout the strange mix of drums and more harmonic backing vocals.

'Fifteen Leagues To Providence' takes us back to early 1950's jazz and rock n roll with its solid guitarwork and hand clapping style backing music. This has a dark, almost, New Orleans "night tripper" vibe!

The intro this eight minute epic 'In Contempt Of Quinsy And Dropsy' is spoken by Steampunk author Steven C Davis over a quiet keyboard backing, telling us the tale of Dr.Parker and the effergies of the songs title.
The music then takes over and treats us to an almost symphonic rock song, good use of keyboard orchestration, driving drum patterns and another solid vocal performance.

Up next is the surprising 'Posing As Babalon', i say that because it has some pretty heavy guitarwork and a dark gothic undertone. The ghost of proto-doom metal lurks here, added to the driving drums and guitar playing is a great old sound "farfisa" keyboard sound.

Once again 'Hand Of Cinder, Hand Of Ash' offers us some more in the way of heavier music, this is another well orchestrated piece with some punchy powerchords coming through, all this creates a dark gothic rock monster which at one point includes some pure demonic vocals that would not be out of place on a cradle of filth album!
Yet somehow this song manages to mix in some 1950's guitar riffs and have an operatic edge as well.

I wonder where this final track will go? Well 'Chapel Perilous' returns us to that jazz/swing sound, a perfect way to end a very clever album full of different styles and superb sound production.

Rating 9/10
For fans of: Danny Elfman, Joe Black, Dr John, Midnight Syndicate, Juke Baritone, Wednesday 13

FACEBOOK: Ague Facebook