Wednesday 15 September 2021

Gaylord - Crown Of Joy (A Sublime Sun Thriving Amongst Dying Stars) (CD Review)

GAYLORD - CROWN OF JOY (A SUBLIME SUN THRIVING AMONGST DYING STARS)


01. Lay Down

02. Ghost Me

03. Dread

04. Shit Scene, Shit Bands

05. White Night Gaslight

06. High and Mighty

07. Grey Rainbow

08. Coiled in Dust

09. Obfuscation of Intent

10. Ten Wing Angel

11. Nailed Deity

12. Again and Again

13. None / Nothing

14. Judgement and Justice

15. Slitting Their Throats

16. Kvlt After School Xbox Kommando

17. Sublime Sunshine


Richard Alan Weeks (Vocals, Guitars, Bass, Synths, Percussion)

Guests:

Sally - Freelance R&B Vocalist

Alena Yashkina - Vocalist for Wicked Cat, Splitmind

Junayed Hossain Rayhan - Lead guitarist for Metal Fakir

thetrashyourmomthrewout - Freelance Voice Actress

Sevlier - Freelance Jazz Vocalist

Olga Nuit - Vocalist for Ara'Kus

Kieran Scott - Vocalist for Ashen Crown

Ember O'Woody - Freelance Metal Vocalist

Karl Willetts - Memoriam, Ex-Bolt Thrower

Aaron Marko - Frontman for The Swine

Rodrigo C Giacon - Lead guitarist for Sorrow In Vain

Nate Lewis - Bassist for Ante-Inferno, Bassist and Vocalist for Petrichor

Amara Wears - Vocalist for Aubzagl, Guitarist for Petrichor

Marc Hood - Vocalist for Cadaver Soiree

Baradiel - Freelance Metal Musician


Best known for their divisive debut, 2018's "THE BLACK METAL SCENE NEEDS TO BE DESTROYED", the band have decided to continue their assault on black metal as a scene and genre this time by merging black metal with many genres of "non-kvlt" music.

Frontman Richard explains: "With THE BLACK METAL SCENE NEEDS TO BE DESTROYED we used genre trappings to assault black metal with its own aural aesthetics. Raw guitars, sloppy riffs, gurgled vocals, and the bass turned way down. This time around we wanted to 'pervert' this 'sacred' music by pairing it alongside genres that most 'true' fans hate."

CROWN OF JOY (A SUBLIME SUN THRIVING AMONGST DYING STARS) has all the anger and ferocity of previous albums THE BLACK METAL SCENE NEEDS TO BE DESTROYED and WINGS OF THE JOYFUL but merges that fury with genres like trap, RnB, jazz, j-pop, hip-hop, and hyper pop to create a unique experience that old school black metal fans will absolutely abhor.




 Well 'Lay Down' may start in a traditional distorted, funeral doom style but something a little different is thrown in.

'Ghost Me' has some sweet harmony vocals intercut with some technical Death Metal whilst 'Dread' is a pretty straight forward Blackened Death Metal assault.

Some symphonic styled Black Metal with 'Grey Rainbow' is well executed and followed by some rappy stuff backed with nice piano playing.

'Obfuscation of Intent' just sounds like Dethklok!', Nailed Deity' mixes some beautiful piano with basic Metal.

Outstanding track 'Again & Again' is a fantastic brutal Death Metal attack which evolves into some great techno, this is followed by another great track 'None / Nothing', slow piano and narration into mid paced Death Metal, the mix really works well creating the perfect balance.

'Judgement and Justice' is weird, sort of hip-hop rappy thing, vocal works well but somehow sounds slightly comical.

Metal meets Pop with 'Slitting Their Throats', again suffers from bad mixing, nothing wrong with the metal meets pop idea, but just sounds like two separate songs randomly cut together.

'Kvlt After School Xbox Kommando' is so far the only track that sounds like Black Metal from ye olde tymes, I'm guessing the lyrics are not serious.

Finally we end on 'Sublime Sunshine' another mainstream melodic Death metal tune.

Mr. Weeks is clearly a talented musician, but the subversion of Black Metal is not apparent, there was a chance to be as innovative and controversial as Limp Bizkit and Linkin Park were to mainstream metal back in the day, it just hasn't worked.

I will have to wait for someone to come up with a Black (metal) Eyed Peas.

Rating 7/10

For Fans Of: Dethklok, Ghostemane, Siberian Meat Grinder, Mora Prokaza


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