Us & Them is scheduled for digital release on iTunes April 30, 2013, with European street date of May 3, 2013 and a US street date of June 18, 2013 on 13th Planet Records, with a record release party scheduled in Hollywood, CA on May 4th, 2013 at Bar Sinister.
The album was written, programmed & engineered entirely by Havill and recorded Fall 2012 at Ministry frontman Al Jourgensen’s 13th Planet Studio in El Paso, Texas. Under the production mentorship of Jourgensen and Ministry alum Sammy D'Ambruoso, Us & Them is composed of 14 original and innovative songs and features additional drum editing by another Ministry veteran, drummer Aaron Rossi. Havill handled all other instrumentation, including electronic programming, keyboards, guitars, bass and vocals.
A departure from the distortion-bathed releases that usually surface from the 13th Planet compound, Us & Them is nonetheless as dense and intense as the darkest metal. “Kill Them All” is a thudding and disconcerting track driven by the internal monologue of a killer. Inspired by American author Cormac McCarthy's Blood Meridian, and the Hannibal Lecter character in the film Silence of the Lambs, "Kill Them All" includes some of Havill’s most grisly lyrics: “Slow death, none spared/one by one, tear apart the bodies/gouge their eyes, choke the last breath.”
“Ghosts Everywhere” is a multi-textured horror-film soundtrack about the gradual march we all make towards our inevitable demise and the possible afterlife that awaits us. “May Cause Deth,” the track that first caught Jourgensen's attention on the 2012 Ministry tour during a discussion with Havill regarding pharmaceutical advertisements and side effects, is an extensive collection of snippets from medication commercials that mention the dangerous and sometimes fatal side effects of the substances, layered over a soundbed of pulsing bass, shuffling samples and harrowing keyboards. Additionally, the influence of "May Cause Deth" can be heard on the track "Side F/X" on the upcoming Ministry release, From Beer to Eternity, which accesses Havill's stockpile of side effects samples.
While Havill’s demented music is partially inspired by horror films, depression and drugs, it’s even more influenced by years of thought and experimentation and the abundance of influences Havill has taken in over past two decades, including Tricky, Public Enemy, Beastie Boys, Ministry, Leonard Cohen, Mark Lanegan, Dax Riggs, and Townes Van Zandt. But what Deth Rok does with electronics and barren vocals takes apocalyptic sound collage to new levels of darkness.
“These are the sounds I hear in my head when I go to sleep at night and when I wake up,” Havill says. “ Musically, I’ve always liked sad songs. I feel like that kind of music expresses real emotion and the really bleak stuff hits me the hardest. But I really hope there is some kid out there in a really dark spot who listens to my music and feels a little better that someone else has their dark spots, two.”
While Us & Them is Deth Rok’s debut release, Havill has been involved in production and sound design for over a decade and co-engineered the upcoming Ministry album From Beer to Eternity between Deth Rok sessions. Additionally, he has worked in the studio with Chuck D, Tony Visconti, Ric Ocasek and other music luminaries. And when he isn’t touring with Deth Rok Havill techs for various artists on the road, including Lou Reed, Ace Frehley, Faith No More, Regina Spektor and Scissor Sisters.
Havill's concluding statement on Deth Rok's Us & Them is a gruesomely haunting version of Portishead's "Wandering Star," the original of which is considered to be the musical epitome of depression and despair; and yet Havill's interpretation takes the track to an even deeper, creepier level of spiritual despondency.
Us & Them turns downtrodden beats and unsettling sounds into dread-laden pieces of art. Hold your breath, step into the black and let it consume you in a vortex of inviting sound.
For fans of : Ministry, Krautrock, Industrial, Nine Inch Nails