Saturday, 16 May 2015

Lucifer - Lucifer I (CD Review)


01.Abracadabra
02.Purple Pyramid
03.Izrael
04.Sabbath
05.White Mountain
06.Morning Star
07.Total Eclipse
08.A Grave For Each One Of Us



Johanna Sadonis (Vocals)
The Wizard (Guitars)
Dino Gollnick (Bass)
Andrew Prestidge (Drums)



Following the premature demise of The Oath, Johanna Sadonis formed Lucifer.  Whilst The Oath was a much-celebrated band, she wasted no time in creating a new beast to go beyond previous limitations.That beast is Lucifer and this is their stunning debut album titled Lucifer I.
Having released their debut single, Anubis earlier in 2015, there has been a significant buzz generating around Lucifer. The anticipation for Lucifer I is high and it will not disappoint.

With the addition of Garry Jennings (ex-Cathedral/Death Penalty) as co-songwriter and studio guitarist, Lucifer have moved forward into a realm of rock music which is very rare and very special in this time. Genuine, classic, heavy, studied and passionate are just a few words that instantly spring to mind upon first listen. Lucifer's instinctive take on the very soul of early heavy metal is the electrified essence of rock’n’roll at its nascent purest. This is Magic Rock – heartfelt and holistic.

Eschewing the now well-worn clich├ęs of the ‘occult-rock explosion’ in favour of a truthful and tempestuous re-imagining of classic 70s proto-metal and turbocharged blues, the eight songs on this band’s debut album crackle and fizz with burgeoning energy and the compelling conviction of music made for all the right reasons.

Although still firmly rooted in the fertile soil first cultivated by Black Sabbath, Deep Purple, Led Zeppelin and Blue Oyster Cult, Lucifer exist in a proudly liberated and limitless sonic realm, where the heaviest blues rock is a mere starting point for the band’s skyward creative trajectory.



So 'Abracadabra' is not quite the breathtaking start i was expecting, seems more like a continuation of The Oath, which was good mid seventies hard rock but pretty mainstream.

Again with 'Purple Pyramid' its just The Oath with a slightly heavier guitar sound, really not what i was expecting at all, look im not saying this is bad, far from it, this is great stuff with awesome vocals, but, ahh wait towards the end of this track im starting to get a different sound come through, more doomy, so maybe.....

'Izrael' quite a Sabbath like intro into some great bass and drum rhythms, nice harmonic vocal over it all, then it all comes together, this is more like what i was expecting, like Heart jamming with Sabbath.

And now a song called 'Sabbath', bells, slow pounding music, pure old school proto doom, stunning vocal ringing out through the speakers, oh yes this is the stuff!

This style does not last as we return with 'White Mountain' classic hard rock all the way and a killer solo at the end.

Really like the slow and slightly psychedelic/doom of 'Morning Star', half way through this one picks up the pace with a speeded up riff akin to 'Children Of The Grave' and more killer guitar work.

The doom returns with a vengeance on 'Total Eclipse', slow, pounding and pure, that vocal once again really sings through the speakers, love it when it goes all quiet and just a simple guitar riff is playing, then the drums start up and all of a sudden the pace picks up, creating happy doom sounds!!

Having finally got into this album i find myself at the last song, 'A Grave For Each One Of Us' nice acoustic start then a doom pattern appears, but just as it gathers pace they bring it down with the acoustic again, so its up and down all the way to the end.

So i may have had some doubts, writing this review as i go along, track by track for the first time, i then went back and listend to the whole thing again and it was even better.

Rating 10/10
For Fans Of: The Oath, Cathedral, Death Penalty, Bloody Hammers, Jex Thoth

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