Monday 10 August 2015

Vidian - Transgressing the Horizon (CD Review)


01.Control
02.Overdose
03.A Sad Place For Hopeless People
04.Breathe Out
05.It's Like It Cannot Be Broken
06.Temporary Life
07.Transgressing
08.The Horizon



Szymon Brazkiewicz (Vocals)
Adam Borys (Guitar)
Maciej Brzezinski (Drums)
Arkadiusz Orlowski (Guitar)
Aleksander ZiĆ³lkowski (Bass)




Polish metal band formed in 2008.
Cant tell you anymore as the bio supplied was in polish and there is no information on their facebook page.

Okay err, right. So we start with 'Control' a song of seven minutes that starts with near silence and the some strange distorted effects, then it blasts into some death metal meets metalcore riffs and screams and then goes "Lounge" with what sounds like trumpets and piano! I kid you not this is strange shit, then goes back to heavy and then some more piano.
No mention as to who is playing these instruments or if they are sampled from some early 1970's MOR collection.

'Overdose' seems to be a very rhythmic alsmost jazz/metal hybrid with agressive vocals and the next song after a slow start is fairly standard metalcore.

Up next is 'Breathe Out', what seems another standard song soon displays other influences, again you can detect some jazz rhythms and then comes some backing vocals that creates the kind of epic chorus' from the like of Turisas.

Mixing up everything from Doom to Nu-Metal, great backing vocals and delivered with measured anger.

'Temporary Life' has a laid back and melodic introduction, goes on for a while and just when you think they are throwing in another curve ball the metal is unleashed!

'Transgressing' and 'The Horizon' although they are laid down as two seperate songs they are essentially one song and this creates a massive and superb seventeen minute epic.
Starting with a slow and ambient intro and then launching into a very heavy piece, it then starts to build and create different sounds, ideas and layers, from the slow punchy powerchord style to neo-prog guitar workouts.
Towards the end of the first song there is some spoken word over guitar f/x and then a very quiet near classical ending. This carries through to the final song which then adds some, i suppose they call it "Post-Metal" stylings, personally i dont care what they call it as long as they keep making music this interesting and clever.

Rating 10/10
For fans of: System Of A Down, Mastodon, Hatebreed

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